Friday, 22 October 2010
Pictures for poster part 3
This is the photograph I have to chosen to use in our poster, this is due to the body language, as she is turning away as if she is not only scared and lonely, but also ashamed of what has happened to her, she has become "that girl" that is beaten by her boyfriend and doest know what to do about it.
She looks truly defeated.
Thursday, 21 October 2010
Ancillary Task - Poster Part 01
This is the first part of the editing process.
This photo will be added to our overall poster, after the rest of the photos are taken.
Wednesday, 20 October 2010
Script - Straight to the Moon
Straight to the Moon
EXT. BEDROOM- EARLY AFTERNOON
Extreme close up of MIA's eye closed. Smears of dark makeup around her eye. Her eyes flutter open. The camera slowly zooms out to reveal her bedroom.
Cut to short takes of flash back scene as camera zooms out.
Areal shot. Mid side shot She looks around the room and gets up. Cut to under the bed. You see her feet walking about, and then leaving the room
close up of MIA looking at herself in the mirror. MIA looks sadly at herself, and traces the makeup stains and bruise on her left eye on her face with her hands.
close up of MIA looking at herself in the mirror. MIA looks sadly at herself, and traces the makeup stains and bruise on her left eye on her face with her hands.
Cut to short takes of flashback scene.
MIA shudders.
Close-up on the Phone as it vibrates Focus on phone, with MIA in the background blurred, MIA picks up phone, reverse focus to MIA in focus and the fore ground blurred . Mid shot of MIA looking at the phone
Close-up on the Phone as it vibrates Focus on phone, with MIA in the background blurred, MIA picks up phone, reverse focus to MIA in focus and the fore ground blurred . Mid shot of MIA looking at the phone
Cut to extreme close up of the text message she has been sent: 'PARTY. 26 REDGROVE DRIVE. YOU GAME?'. Mid shot to MIA looking at the phone with a careless expression. Camera cuts back to the extreme close of the phone showing her reply 'I'M THERE'.
ACTION: MIA getting ready for the party.
Fast cuts. Close up of eye shadow being applied. Close up of lip gloss. Close up of stocking being pulled on. Close up of hair being done. Close up earring’s on Same camera angle as mirror mid shot, but MIA is fully changed for the party.
ACTION: MIA getting ready for the party.
Fast cuts. Close up of eye shadow being applied. Close up of lip gloss. Close up of stocking being pulled on. Close up of hair being done. Close up earring’s on Same camera angle as mirror mid shot, but MIA is fully changed for the party.
EXT. PARTY SCENE
Description of overall scene;
Blue and red contrasting lighting. Short fast cuts. In front of MIA’s face, showing her expression. Discontinuity editing. Loud diegetic sound. Flashes of the party with short and shorter cuts to increase tension. Combination of close up and mid shots
Flashes
MIA is kneeling in front of a table of a line of shot glasses, filled with red liquid, drinking them in a line from left to right
- Close up shot
MIA is in a corner with people pushing into her( 4 people on each side, walking past her, 2 people behind her facing away from the camera talking)
- Close up shot
MIA dancing in a careless way, a little apart from the people surrounding her.
MIA is in the centre of the shot.
- Mid shot
MIA is sitting alone on the stairs with a bottle of clear liquid. She swigs it and shudders. Swigs again.
- Mid shot
- Close up shot
MIA is knelt is front of toilet being sick.
-High angle shot.
MIA wipes her mouth and leans against the bath/heater and begins crying into her hands.
- Mid shot
- Close up shot
EXT. OVERDOSE SCENE
Tracking shot from behind as MIA walks down the hallway, she then stops at the end of the corridor. Close up shot of MIA staring at the camera. Expressionless.
Mid to long shot of 2 men and 1 woman are crouched on a couch with a silver tinfoil packet, preparing heroin. Cut to a close up of the man opening up the tinfoil, beginning to light it.
Cut to mid shot of MIA looking at the teen, high angle, then walking towards the camera, enveloping it.
Cut to shot of group of teens, with the camera panning from left to right then right to left across their faces, with smoke covering their expressions.
Slow tilt from the needle to MIA
Mid shot of MIA’s face slowly smiling.
Lighting fades to saturated. Frame effects- misty
Face to lesser close up from the side
Fade to same lesser close up of rocking
Camera follow MIA as she falls , then zooms in to extreme close up of her eye.
EXT. Rewind
The first three scenes are played backwards.
EXT. Bedroom rerun
Extreme close up of MIA’s eyes closed. Smears of dark makeup around her eye.
Her eye flutters open. The camera slowly zooms out to show her bedroom
Cut to
Mid shot from mirror of MIA walking towards the mirror. Close up of MIA looking sadly at herself, as she traces the makeup stains and bruise on her eye with her hands.
Close-up on the Phone as it vibrates Focus on phone, with MIA in the background blurred, MIA picks up phone, reverse focus to MIA in focus and the fore ground blurred . Mid shot of MIA looking at the phone
Cut to extreme close up of the text message she has been sent: 'PARTY. 26 REDGROVE DRIVE. YOU GAME?'
Mid shot of MIA from the mirror looking at the text as she slowly looks up at the camera and her eyes widen in realisation.
EXT. Flash backs
Tracking shot following MIAs boyfriend from behind as he walks towards her sitting on the edge of her bed looking up at him.
Close up shot-
MIA before she is hit.
High angle shot –
MIA’s boyfriend backhands her as she moves out of the frame.
Mid shot-
MIA’s boyfriend grabs her shoulders and rams her into the wall.
High angle shot-
MIA on the floor after she has been hit looking up at the camera.
Tuesday, 19 October 2010
Title
I have chosen this phrase at the title for my short because of its cultural significance, and this phrase has iconsised abuse and has been referenced numerous times in American pop culture.
The themes of our short film are abuse and the dangers of drugs, and this title depicts abuse, but also connotes the use of drugs- straight to the "moon". This title has many levels of depth and suggests the issues that my short film deals with.
The Honeymooners
Alice is Ralph's patient but sharp-tongued wife of roughly 15 years. She often finds herself bearing the brunt of Ralph's insults, which she returns with biting sarcasm. She is level headed, in contrast to Ralph's pattern of inventing various schemes to enhance his wealth or his pride; in each case, she sees the current one's unworkability, but he becomes angry and ignores her advice. (And by the end of the episode, her misgivings are almost always proven to have been well-founded.) She has grown accustomed to his empty threats: "... one of these days ... Pow! Right in the kisser! One of these days Alice, straight to the Moon!"
http://en.wikipedia.org/wiki/The_Honeymooners
Monday, 18 October 2010
Poster Editing
This is the editing in stages I have done of our chosen photo in photoshop for our short film poster.
Sunday, 17 October 2010
Evidence of Film making and costume design.
These photographs were taken of the makeup selection used to to create the "bruised eye" effect for the filming of the first and last scene.
These are followed by the shots of the clothing selection we had available to try and recreate the design we had made earlier.
These are some before and after shots of Francesca (Mias) eye. The photograph on the left is the makeup that we decided that would be a good party look. We then followed a tutorial about how to make a realistic bruised eye and we then improvised from there. I think that this is a very realistic costume makeup.
Below are the shots of the hairstyling done for the party scene, which was needed to end our first scene.
Here are also some more shots of during the filming and testing the different light settings and how they affected the camera.
Friday, 15 October 2010
Thursday, 14 October 2010
Subscribe to:
Posts (Atom)